In the Staying Alive workshops that Mark and I offer at campuses and conferences, we use yoga postures as emblems for the phases of an academic career. Balance works at the heart of yoga, which tones the whole body, cleanses the internal organs, and promotes both serenity and mindfulness. In Ashtanga yoga, which I practice, every session includes balancing postures as well as the familiar sun salutations, standing poses (such as the Warrior sequence discussed in earlier blogs), bending poses, and seated poses along with twists and stretches. When we talk about leading a balanced life over the course of an academic career, we find that the yoga conception of balance helps people understand how to cope with the competing demands of person, profession, and institution without going nuts.
When I started, the balance poses really threw me for a loop. The teacher looked so calm and graceful when she stretched up into the Tree Pose or lengthened horizontally into Dancer. I have good natural balance, so I thought nothing of it, but when I tried, my legs began wobbling uncontrollably and I almost fell over. I thought it was simply a matter of locking in to the right position. But balance turned out to be a process rather than a state; it was something dynamic, with a beginning, a middle, and an end. It turned out to be a matter of core strength as well as focused attention.
I soon learned that every balancing pose begins with a preparatory step, followed by a series of entry moves that culminate in the full pose, which is maintained for a period of time, generally at least five breaths, after which you must exit the pose through another series of moves that return you to a relaxed, standing position. If you try to rush or short-circuit this process, you are likely to fall out and may even injure yourself. It’s important to go step by step, feeling your way and maintaining a sense of control.
Take for example the Dancer Pose, which serves as our emblem for the Citizen Phase. Remember how, in the Warrior poses, we discerned a four-way movement of energy along both vertical and horizontal axes. Here the same geometry applies, but with a shift in configuration appropriate to the challenges and responsibilities of citizenship. The vertical leg supports everything else, representing your foundational skills and values. The forward arm extends outward, projecting energy into the community. The rear leg, rather than being extended backward for support, reaches up to be grasped by the other arm, forming a circle that captures the heavenly light of creativity, passion, and aspiration and then amplifies it in a generative feedback loop that provides the energy to the forward arm.
To get into Dancer you must assume a relaxed standing position with your hands in prayer position, heart-center. Choose your supporting leg, then roll forward onto the ball of the foot, spreading your toes and grounding the foot. Flex your leg, feeling the muscles, and begin to breathe evenly. After two breaths, raise your opposite foot and bring it up behind your buttocks, grasping it with your hand. Steady yourself for a moment, then touch finger to thumb of your opposite hand and, as you breathe in, raise your arm straight up above your head. Now choose something in front of you that’s not going to move and focus on it as you begin to tilt forward from the waist, stretching forward as you push out and back with your opposite leg, still grasped by your opposite hand. Maintain steady, even breathing as you open the circle formed by your leg, arm, and back. After five or more breaths, begin to exit the pose by tilting backward into an upright position. Release your opposite hand and lower your leg to the floor. As you breathe out, lower your extended arm, Release your finger and thumb and come back into a relaxed standing position with your hands in prayer position, heart-center.
It is important to recognize that during the whole process you continue to breathe, ideally in a calm and measured way. Breathing connects inner and outer, and yoga recognizes many different kinds of breath. So, during the entry, holding, and exit from the pose, you are not only dealing with the circulation of energy within your body but also interacting with the environment. Maintaining this vital flow is an ecological and spiritual necessity. As you can see from the photo, Dancer is lovely to look at, and if you try it, you’ll realize that it also feels wonderful. When you are holding the pose, you feel strong and radiant. In life, as in yoga, balance manifests externally as grace and internally as health and happiness. Balance may be thought of as a process of dynamic equilibrium characterized by energy, harmony, and beauty. A person in balance appears to lead a convincing life.
As I practiced the Dancer pose, I soon came to realize that my body was always moving, even when stationary. My muscles were always working; they were never at rest. As I went through the entry, holding, and exit moves, I could sense my muscles communicate with each other, as if they were dancing. I could feel the energy flowing and shifting at need. I could feel my breathing as a nourishing conversation between myself and the larger world that sustained me. Balance, I realized, was not a state but a system, a process, a dance, a constant and ever changing improvisation. And the key was managing energy flows. That’s what Mark and I mean in these workshops by tools for balance: they are techniques for managing your resources and energies. We derive them from stories of people who seem to be leading convincing lives. Balance, therefore, is not something you attain once and then you’re done. It’s a matter of attentive learning and lifelong practice.
(image source: http://thesoniashow.files.wordpress.com/2009/04/dancers-pose.jpg )